Glorious Agfacolor, breathtaking Totalvision and monophonic sound: Colour and "scope" in Czechoslovakia
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| Year of publication | 2013 |
| Type | Chapter of a book |
| MU Faculty or unit | |
| Citation | |
| Description | Through the tension between proclaimed self-efficiency of Soviet block states in the 1950s and the nature of cinema as an industry dependent on world trade and standardization, this article looks at a particular technology change - adoption of widescreen technology and consequently preference of American-made Eastmancolor negative film stock instead of East-German Agfacolor. |
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